12 December 2024 - 15 January 2025
Hataas ang Kagabhion Apan Dili Buot Mahikatulog
(Long Night Without the Desire to Sleep)
Jay Jore
Hataas ang Kagabhion Apan Dili Buot Mahikatulog (Long Night Without the Desire to Sleep) reflects on the history of queerness in the context of Philippine culture. Cebu-based artist Jay Jore (b.1987) introduces us to three critical figures found among colonial period archives: The Asog nga Amang, Dios Buhawi, and Balbino Igot. Tales and accounts from these records provide glimpses into the shifts in Filipino perspectives of the way queers were historically perceived and their role in the social landscape.
Jore's assemblages, paintings, and textile works propose the idea of queer wakefulness as a precondition to queer justice--wherein its history is recognised and honored, and its varied forms and complexities are embraced. There are altars of remembrances recalling these fragmented recollections. Boldly painted contemporary queer figures stand alongside images of a revered queer figure printed on fabric. Perhaps it is an attempt to suggest a transitory period of understanding. Lifted from Lawrence Ypil's poem Bless the Beast, the exhibition's title fittingly examines the precarious conditions of the 'othered' and the 'altered'. With its intent leaning towards queer liberation and inclusivity, the exhibition contributes to the discourse of the ongoing process of acceptance through the many bewildering ways of presentation.
Text by Sayoka Takemura
Jay Nathan T. Jore (b.1987; Lives and works in Cebu) is an artist, curator, and art historian whose practice delves deeply into the complexities of queer life, its history, and its profound influence on contemporary Philippine society. As an artist and curator, Jore contributed to group exhibitions exploring narratives and histories of the Bisaya bayot in shedding light on diverse and yet underrepresented accounts in the documentation of queer Filipino culture. His works delve into the concerns of queer life, its history and its impact on contemporary society. In 2022, he staged the solo exhibition, “Veneered Desires,” at Qube Gallery, exploring questions on queer Bisaya identity. It critically examined the intersections of queer identity, cultural heritage, and the aspirations for social progress. Jore pioneered the groundbreaking “Descendants” project in Cebu, bringing together queer artists from all over the country as a platform for representation through exhibitions, public programs, and other formats. He has also presented his research on queer identities and histories through academic conferences and lectures.
Currently, he is an assistant professor of Fine Arts at the University of the Philippines Cebu and since 2018, he has been the curator and director of the university’s Joya Gallery and the coordinator of the Office for Initiatives in Culture and the Arts.He received his BFA from the University of San Carlos and his MA in Art Studies (Art Theory and Criticism) from the University of the Philippine, Diliman, with a thesis on the life and times of the Cebuano muralist Raymundo Francia and his extant ceiling paintings in the heritage churches found in the provinces of Cebu and Bohol. He is also the curator of the Tubô Cebu Art Fair, an annual grassroots platform for Visayan artists and has curated exhibitions for the Vargas Museum, the Kabilin Center of the Ramon Aboitiz Foundation Inc., the Cebu City Historical Affairs Commission, and the Visayas Art Fair among others. Under his direction, UP Cebu launched the UP Cebu Museum of Art and Culture, which aims to preserve and promote the rich creative traditions of Cebu and its neighboring islands. Apart from his research on queer identities, Jore has published several essays and articles on Cebuano art and design and its histories and theories. He is one of the authors of the seminal publication on the works of important artists of Cebu, Bantugang Sugbuanon, and wrote the biography of the realist painter Florentino Impas in the monograph Pangandoy, published in 2023.